
Martina Simeti presents Sylvie Auvray, Strange things in my soup, with a text by Franck Gautherot.
There is this scientific theory biologists call the "primordial soup" (or primitive...) which seeks to define and model or even reproduce the first form of life on Earth. This prebiotic environment in which life would have taken shape from protocells.
Do we see the presence of such a soup in the art of Sylvie Auvray, which will reveal the bio-chemical components at work in the formal genesis of the artist's art?
It seems that is the case, and that her soup is to be found in the intellectual gesticulation which never ceases to inhabit her reflection, her endless quest for new forms, for unexcepted mixes of materials, techniques, fabrics, stories, situated and referenced objects assembling cultural and pop-cultural fragments from the East and the West, sources of new works. The primary sources will not now be fully unearthed...
The series to be seen in Milan offers visual comfort and colorful attraction - reminding binary partitions detectable in her Pompon Brooms, brazenly displaying the majorette's baton, hardened in colored and rough ceramic extended with tufts of tow, frizzy ribbons of plastic and angel hair or rough hair of straw in perpetual agitation and joyful movement during the dances of the said cheerleaders or pompom girls. They are dressed this time in two-dimensional compositions where approximately rectangular pieces of fabric attached to firm plasterboards, the smooth support for pictorial events to happen.... read the rest of the article»
(excerpt from the text by Franck Gautherot)
Sylvie Auvray is a visual artist based in Paris. Auvray plays with different materials and techniques including paintings, bronze, plaster and aluminium sculptures and ceramics. Working on various scales ranging from the large to the minuscule, she combines primitive forms with sharp and strident colours. Ceramics allows Sylvie Auvray to model with vivacity ductile and pleasant volumes, while the textures can be strained, curled, triturated, and the shiny enamels can be painted, poured and interpenetrated, with the bonus of the excitement of the magical surprises that will be brought by the firing. Her works, including wearable items such as jewelry and masks and totems taking on human and animal forms, have a nostalgic narrative quality, and at the same time are imbued with energy by the formless childhood fears, barbaric experiments, and destructive joys evoked by their bizarre wounds and disturbing deformations.
The artist's most relevant exhibitions include MAMCO, Le Capucin, MO.CO. Panacée, the Chinati Foundation, Marfa, Texas during her residency; MAMVP, Paris; MAMCO, Geneva; FRAC Champagne Ardenne; Consortium, Dijon; Dairy Art Center, London; Musée d'art moderne Grand-duc Jean, Luxembourg; Centre Pompidou, Paris; Centre d'art contemporain Circuit, Lausanne; Palais de Tokyo, Paris.
Her works have joined the collections of: Collection du Centre National des Arts Plastiques, Paris, France Musée d'Art Moderne de Paris, France, FRAC Nouvelle Aquitaine MECA, France, FRAC Champagne- Ardenne, France, FRAC Normandie Caen, France Consortium Museum, France, Fonds d'art contemporain – Paris Collections, France, Musée des Beaux-Arts de Dole (collection XXe).
Title: Sylvie Auvray. Strange things in my soup
Opening: February 14, 2025
Ending: March 21, 2025
Organization: Martina Simeti
Place: Milano, Martina Simeti
Address: Via Benedetto Marcello 44 - 20124 Milano
More info on this website: https://martinasimeti.com/
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