Smuovere l'angolo apocalittico verso la speranza

Note biografiche 

Stefano Cagol (Trento, 1969) ha studiato all'Accademia di Brera a Milano e alla Ryerson University di Toronto con una borsa di studio post-dottorato del Governo del Canada. Ha tenuto lectures e conferenze, tra le altre, alla Bauhaus University di Weimar, all'Accademia di Brera di Milano e alla Goldsmiths University di Londra. Dal 2022 ha avviato la piattaforma We Are the Flood sulla crisi climatica presso il MUSE Museo delle Scienze di Trento e nel 2023 ha fondato la collezione MUSE Antropocene. Dal 2023 è direttore artistico di Castel Belasi, polo della pratica e del pensiero ecologico. Ha partecipato alla 59a, 55a, 54a Biennale di Venezia; Manifesta 11; 14a Biennale di Curitiba; 3a e 2a OFF Biennale Cairo; 1a Biennale dello Xinjiang e 1a Biennale di Singapore. Tra le mostre personali ricordiamo quella al MAC Museum di Lissone (2023); CCA Center for Contemporary Art di Tel Aviv (2021); Museo MA*GA di Gallarate (2019); Galleria Civica di Trento (2016); ZKM Karlsruhe (2012) e Mart – Museo d'Arte Moderna e Contemporanea di Trento e Rovereto (2000). Due volte vincitore dell'Italian Council (2023, 2019) del Ministero italiano della Cultura, lavora nei campi dell'Arte Concettuale, Arte Ambientale, Eco-Art e Land Art, riflettendo da anni su confini, influenze, energia e ambiente.

Mary Mattingly (Rockville, Vernon, Connecticut, USA, 1978) Selezione di mostre personali: Ebb of a Spring Tide. Socrates Sculpture Park, Queens, New York, USA, 2023; Pipelines and Permafrost. Robert Mann Gallery, New York, USA, 2021; Wearable Homes, Anchorage Museum, Anchorage, USA; Scarred Landscapes, National Arts Club, New York, USA, 2020; Last Library, Contemporary Art Museum, University of Colorado, Boulder, USA; Open Ocean, Mystic Seaport Museum, Mystic, USA, 2019; What Happens After?, BRIC Brooklyn, New York, USA, 2018; I'll go on, Versailles Foundation, Monet's Garden, Giverny, FR; I'll go on, Watkins School of Art, Memphis, USA, 2017; Objects Unveiled: Boxing, Rolling, Stretching, and Cutting, Institute for the Humanities, University of Michigan, Ann Arbor, USA; Mass and Obstruction, Light Work, Syracuse, New York, USA, 2016; Pull, Museo Nacional de Bellas Artes de la Habana, Havana, CU, 2015; Mary Mattingly, Bemis Center for Contemporary Art, Omaha, USA, 2014; House and Universe, Robert Mann Gallery, New York, USA, 2013; The Island is also the Origin, WINTEC, Hamilton, NZ; The Investigation, Constitution, and Formation of Flock House, Lower Manhattan Cultural Council, New York, USA, 2011; The Anatomy of Melancholy, Occurrence Espace d'art et d'essai Contemporains, Montreal, CA, 2010; Frontier?, Galerie Adler, Frankfurt, DE; Time Has Fallen Asleep, New York Public Library, New York, USA, 2007; Fore Cast, White Box, New York, USA, 2006. Mostre collettive selezionate: RE/SISTERS: Ecologies, Communities and Survival, Barbican Art Gallery, London, UK; Mining Photography. The ecological footprint of image production, KUNST HAUS WIEN GmbH. Vienna, AUT, 2023; Overview Effect, Museum of Contemporary Art Belgrade, RS, 2020; Survival Architecture, Museum of Craft and Design, San Francisco, USA, 2019; Scarcity and Supply, Nanjing International Art Exhibition, Nanjing, CN, 2016; Labour of Love, Arko Art Center, Seoul, KR, 2011; Au Feminin, Culturel Calouste Gulbenkian, Parigi, FR; "Trouble in Paradise: Examining Discord Between Nature and Society." Tucson Museum of Art, Tuscon, USA; Water, Eindhoven University of Technology, Eindhoven, NL; Water – Currents, Thessaloniki Museum of Photography, GR; Prix Pictet, Palais de Tokyo, Paris, FR, 2009; Future Tense, Reshaping the Landscape, Neuberger Museum of Art, New York, USA; Video Visionen, O eins, Edith Russ Site for Media Art, Oldenburg, DE, 2008; Other Worlds, Mattatuck Museum, Danbury, USA; Bivouac, Art Omi, Ghent, NY curated by Maximillion Goldfarb, 2007; Triennial Ecotopia, International Center for Photography, New York, USA, 2006.

PSJM, ovvero Cynthia Viera (Las Palmas, ES, 1973) e Pablo San José, (Mieres, ES,1969). Selezione di mostre personali: La Doctrina Gerásimov, Public space. June. Mieres, ES; American Democracy. Building Bridges Art Exchange, Santa Monica, Los Angeles, USA, 2022; Referéndums. Casa Palacio del Cabildo de Gran Canaria. Las Palmas, ES, 2021; Simbiótica. Unidad Móvil de Intervención Eco-Participativa. Plaza del Pueblo. Las Palmas, ES, 2020; Shapes For A Perfect World, Blanca Soto Gallery, Madrid, ES; La Hoya Horizontal, Gabinete Literario. Las Palmas, ES, 2018; Oligocracy, Sorbonne Artgallery, Parigi, FR; PSJM & Avelino Sala: Dreams & Realities. Whiteconcepts Gallery, Berlin, DE, 2017; Open Studio, 18th Street Arts Center, Santa Monica, USA, 2016; Spanische Malerei, Whiteconcepts Gallery, Berlino, DE, 2015; ¡Viva Chile, mierda!, Galería Metropolitana, Santiago de Chile, CL, 2014; Social Geometry, Trama Gallery, Barcelona, ES, 2012; Red Concepts for Right Collectors, Whiteconcepts Gallery, Berlin, DE, 2011; Marc Bijl & PSJM. Freies Museum, Berlin, DE, 2010; This is a work of art. Zagreus Project, Berlin, DE, 2009;
PSJM. Scala Gallery, Berlin, DE; Asia Project, Rifle maker Gallery, London, UK, 2008; PSJM, the Brand. WIP Sthlm, Stockholm, SE; Marcas Ocultas, Baró Cruz Gallery, Sao Paulo, BR, 2007; Consumer Demonstration, Passage Souterrain, Parigi, FR; Promises. Observatori 06. Museum of the Arts and Sciences, Valencia, ES, 2006; MAD´03, Alterno.The Art Palace, Madrid, ES, 2003. Mostre collettive selezionate: We Are The Flood, MUSE, Museo delle Scienze, Trento, 2022; BIENALSUR, Juntos Aparte, Museo de la Inmigración y Centro de Arte Contemporáneo UNTREF, Buenos Aires, AR, 2021; DIVERSEartLA. LA Art Show, Los Angeles, USA, 2020; Personal Structures. Collateral 58th Biennale di Venezia. European Culture Centre. Palazzo Mora, Venezia, 2019; Watch your Bubble! Kunstverein Tiergarten - Galerie Nord, Berlin, DE; Beyond the Wall. Artpace, San Antonio, USA, 2018; Beyond the Tropics, Collateral 56th Biennale di Venezia, Venezia, 2015; Reproduction, Repetition and Rebellion, Museum of Contemporary Art, Zagreb, HR, 2011; Davis Museum, Los Angeles Center for Digital Art, Los Angeles, USA, 2009; Undergentrification, LP Projects, New York, USA; Group Exhibition, Reina 39, Madrid, ES, 2008; I Canaries Biennial, Architecture, Art and Landscape, Canary Islands, ES, 2006; ArtForum, Out of context, inside the market, Berlin, DE, 2005.